Hipercinema cognitivo: narrativa transdimensional e inteligência artificial na construção do roteiro Tesserato

Abstract

The argument of this dissertation is grounded in the development of the concepts of Cognitive Hypercinema, Transdimensional Narrative, and the Interactor-Receiver through the construction of the original work Tesseract, a screenplay conceived by the author in the form of serialized interactive fiction, developed with the assistance of ChatGPT 5.2 Plus and structured into three seasons of eight episodes each. The project functions simultaneously as a creative artifact and as an analytical corpus, enabling the exploration of how artificial intelligence (AI) technologies can be applied to the creation of screenplays characterized by a high degree of narrative complexity. The emphasis lies on the cognitive, perceptual, and emotional dimensions of the concepts proposed in this research—namely, cognitive hypercinema, the transdimensional structures of complex narrative, and the interactor-receiver—in the construction of meaning within dynamic narrative environments. This investigation is conducted from the perspective of Cognitive Film Semiotics and Possible Worlds Theory, within the context of interactive cinema and the streaming industry. The theoretical framework draws on authors such as W. Buckland, G. Lakoff, L. Manovich, H. Jenkins, Marie-Laurie Ryan, and L. Santaella, situating the discussion at the intersection of narratology and ludology, media convergence, and digital culture, while highlighting how interactivity enhances agency, immersion, and transformation. In dialogue with recent advances in AI within the audiovisual field, the research examines how these elements reconfigure narrative design and user engagement. The results indicate that complex narrative, when associated with digital technologies and artificial intelligence, not only reconfigures audiovisual aesthetics but also inaugurates new poetic forms, as well as expanded possibilities for interaction and cognition within the contemporary media flow. By proposing a narrative model capable of expanding the experiential potential of audiovisual storytelling, this dissertation seeks to contribute to the field of Communication and to the advancement of the creative industries, insofar as it analyzes how elements of artificial intelligence combine modal logic with transmedia elements within the narrative structure in order to reconfigure the experience of audiovisual content and to engage users within the streaming market.,